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1. Genichiro Inokuma, Two Women, 1936
2. Genichiro Inokuma, Portrait of Mr.K, 1939
3. Genichiro Inokuma, Wife and the Red Clothes, 1950
4. Genichiro Inokuma, Landscape GT, 1972
5. Genichiro Inokuma, Windows and Constellation, 1985
6. Genichiro Inokuma, Birds and Kite, 1992
7. Gallery A
8. Gallery B

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©The MIMOCA Foundation

Genichiro InokumaーCuriosity and Honesty Genichiro InokumaーCuriosity and Honesty

Date: Sat. 23 December 2023 - Sun. 10 March 2024
Closed: Mondays (except 1, 8 January, 12 February 2024), 26-31 December 2023, 4, 9 January, 13 February 2024
Hours: 10:00 - 18:00 (Admission until 30 minutes before closing time)

Organized by Marugame Genichiro-Inokuma Museum of Contemporary Art, The MIMOCA Foundation

Admission: Adults ¥300, Students (college, university) ¥200, Children (0 year to high school) free

Genichiro Inokuma (1902-1993) remained active as a painter throughout his life. During the 70 years of his career, his painting style underwent several significant changes. This exhibition will retrospectively look back on the career of Genichiro Inokuma and trace the changes in his painting style.
In the early years of his career, he mainly painted figurative paintings with human figures as motifs. After studying in Paris in his mid-30s, he was strongly influenced by Henri Matisse, and his pursuit of composition based on the balance of form and color led him to divide his paintings into smaller geometric shapes. After turning 50, Inokuma moved to the U.S., where his abstract expression quickly blossomed due to the free and untraditional atmosphere of the U.S. During his 20 years of creative activity in New York, he established his own abstract expression by depicting cities in a conceptual manner. In his later years, when he traveled between Tokyo and Hawaii, the bright Hawaiian sun brought back vivid colors and organic shapes to his paintings, and figurative forms such as faces and animals began to mix with abstract forms.
Although his painting style changed in many ways, he always had the consistent desire to create beautiful paintings that only he could create. His style changed as a result of his continuous efforts to express himself fully, while positively accepting the changes in the environment and the times with an exceptional "curiosity and honesty.

[Gallery A]
  1. 1. Title Unknown, 1916, Pencil on paper, 23.7×31.1
  2. 2. Self-Portrait, 1925, Oil on canvas, 37.8×37.8
  3. 3. Portrait of a Woman, 1926, Oil on canvas, 116.8×91.0
  4. 4. Two Women, 1936, Oil on canvas, 194.0×130.0
  5. 5. Child Selling Garlic, 1938, Oil on canvas, 91.5×53.4
  6. 6. Man with a Pipe, 1939, Oil on canvas, 60.6×50.0
  7. 7. Three Girls and Bicycles, 1938, Oil on canvas, 73.0×60.0
  8. 8. A Back Street in Montmartre, 1939, Oil on canvas, 64.1×81.1
  9. 9. Portrait de Mr. Kurachi, 1939, Oil on canvas, 41.0×33.1
  10. 10. Portrait of Mr.K, 1939, Oil on canvas, 80.5×64.4
  11. 11. Automobile Wreckage (Manila), 1942, Oil on canvas, 60.3×72.4
  12. Collection: Takeda Pharmaceutical Company Limited
  13. Long-term loan: Marugame Genichiro Inokuma Museum of Contemporary art
  14. 12. Wreckage of B-17 (Clark Field), 1942, Oil on canvas, 60.7×73.1
  15. Collection: Takeda Pharmaceutical Company Limited
  16. Long-term loan: Marugame Genichiro Inokuma Museum of Contemporary art
  17. 13. Blue Dress, 1949, Oil on canvas, 79.0×64.5
  18. 14. Pattern of HANA-HIRAKU, 1950, Ink, watercolor on paper, variable size (15-piece set)
  19. 15. Pot and the Portrait of a Sitting Woman, 1950, Oil on canvas, 80.0×65.0
  20. 16. Wife and the Red Clothes, 1950, Oil on canvas, 116.5×91.0
  21. 17. Children Playing with Birds, 1954, Oil on canvas, 193.5×130.0
  22. 18. Horse and the Clown, 1955, Oil on canvas, 117.0×91.0
  23.  
[Gallery B]
  1. 19. Echo of Yellow, 1960, Oil on canvas, 200.3×175.0
  2. 20. Confusion and Order “A”, 1964, Oil on canvas, 203.1×177.8
  3. 21. The City (Green No.1), 1968, Acrylic on canvas, 203.5×178.0
  4. 22. Water Shores B, 1970, Acrylic on canvas, 203.0×178.0
  5. 23. Landscape GT, 1972, Acrylic on canvas, 203.0×178.5
  6. 24. Freedom Dwelling in the City, 1980, Acrylic on canvas, 137.2×122.0
  7. 25. Space is a Playground for Machines No.2, 1981, Acrylic on canvas, 200.0×250.0
  8. 26. Windows and Constellation, 1985, Acrylic on canvas, 194.0×258.8
  9. 27. Rock Music, 1984, Acrylic on canvas, 111.2×96.0
  10. 28. The Sun is Waiting, 1987, Acrylic on canvas, 194.0×130.3
  11. 29. 23 Faces (B), 1988, Acrylic on canvas, 100.0×80.5
  12. 30. Birds and Kite, 1992, Acrylic on canvas, 162.2×130.3

1. Genichiro Inokuma, Two Women, 1936
2. Genichiro Inokuma, Portrait of Mr.K, 1939
3. Genichiro Inokuma, Wife and the Red Clothes, 1950
4. Genichiro Inokuma, Landscape GT, 1972
5. Genichiro Inokuma, Windows and Constellation, 1985
6. Genichiro Inokuma, Birds and Kite, 1992
7. Gallery A
8. Gallery B

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©The MIMOCA Foundation